Don’t Be Afraid of Virginia Wolf

Virginia Wolf

Kyo Maclear (Author) and Isabelle Arsenault (illustrator)


The Story: Vanessa and Virginia are sisters. Sometimes Virginia is in a “wolfish” mood: she growls and howls and acts very strange. Vanessa does everything she can think of to cure Virginia’s mood, but nothing works. One day Virginia tells Vanessa about an imaginary, happy place called Bloomsberry, which gives Vanessa a wonderful idea! With her paint brush in hand, Vanessa brings Bloomsberry to life by painting on the walls and transforming them into a beautiful garden. Virginia soon picks up her own paint brush and undergoes a transformation of her own.

What Wallace and I Think: I got to hear Kyo Maclear talk about this picturebook last year. She was kind enough to give a talk to my supervisor’s picturebook class. She was even kinder to talk to me one on one, and we had a great discussion about my research, and how she wants to start a PhD on a similar topic. She was soft-spoken, intelligent, and just, well, as I said, KIND. So, as you can tell, I’m now a Kyo fan for life.

She told us the picture book was born out of her desire to talk about mental health with children. There is still such a stigma attached to issues of mental health, and Maclear expressed that maybe a way to fight the stigma is to get people talking about mental health issues as early as possible. The result is a beautiful picture book that tells three profound stories:

  1. A story of friendship between siblings.

At the most basic level, this story is about the importance of family support, and the love shared between siblings. The images are beautiful, the text is lovely. It is simply a delight to read.

  1. A story loosely based on the real life sisters Virginia Woolf and Vanessa Bell.

The picture book also provides the opportunity to introduce children to important cultural figures: author Virginia Woolf, her sister and artist Vanessa Bell, and The Bloomsbury group. As I have said in other posts, intextuality is important in early children’s literature, for it can spark later curiosity. Maybe when your little one is a teenager they’ll be more inclined to pick up Mrs. Dalloway because they’ve already been introduced to Woolf. And hey, if you’re a parent that finds Virginia’s name familiar, but haven’t heard of Vanessa or the Bloomsbury group, maybe your own curiosity will be piqued

I had someone say to me: “this not a great way to talk about depression with children, because they can find out that Virginia Woolf committed suicide, and that could spark the idea to do the same if they’re depressed.” This kind of comment infuriates me. First, it depicts children as sponges that passively receive information. Children are not passive. Don’t make them passive! They have brains. Encourage them to use their brains! When they can talk, they want to talk to you about things that matter, like depression. This comment does an injustice to children. Second, as someone who has struggled with depression her whole life, I can tell you from personal experience that learning about people like Virginia Woolf (who I learned about when I was a young teenager and she meant a lot to me), who were brilliant and created beautiful things, made me stop believing that I was weak, and that I was alone. And I’m still here because I was inspired by Woolf’s life, not her death. Your child, hopefully when they’re much older, are going to learn about suicide. Don’t you want to give them a foundation, the mental fortitude to talk about such things, so they aren’t overwhelmed later?

  1. A story that can begin conversations with children about feeling “wolfish”

I’ve spoken to a few teachers about their experiences of reading this picture book to their classes, and they were blown away with the types of conversations the reading provoked. The students shared stories of when their own siblings, and parents, and friends have felt “wolfish.” They discussed things they did to help their loved ones, and how it felt to have a loved one struggle in this way. Others talked about feeling wolfish themselves, what helps them when they’re feeling this way, and what they wished their loved ones would do for them when they’re feeling this way. This is powerful! The picturebook gave these children the tools to talk about a subject that is insanely hard to talk about.

I would recommend reading this picturebook to even the youngest of children, as even if they’re too young to talk to you about feeling wolfish, the pictures are beautiful. It is a picturebook that children will understanding more deeply the older they get. And like I said, why not give children the tools to talk about something like depression as early as possible?

I give this picturebook a 5/5


Cooking up the Recipe for Youth with Julia, Child

Julia, Child by Kyo Maclear and Julie Morstad

Published by Tundra Books in 2014

Several of my favourite things come together in this picture book. First is writing by Kyo Maclear, who also wrote two of my favourite picture books: Spork and Virginia Wolf. Second is this is a Tundra picture book, which almost always means it will be beautiful. This was my first experience with illustrator Julie Morstad, and her wonderful art in Julia, Child has ensured I will look for more of her handy work.

Julia, Child (yes an illusion to Julia Child, but not actually about her) is telling two stories. First is of Julia’s love for food. When she was “very little” Julia fell in love with French food, “She loved to eat French food. And she especially loved to cook it.” Along with friend Simac (who reminds me of myself with her long blond hair always up in a pony tail), the two friends learn how to cook, while also deciding they never grow up and be the oldest children ever.

The second part of the story involves Julia and Simac trying to solve the problem of life being filled with “too many grown-ups who did not know how to have a marvelous time” (npg). The solution the two friends come up with is making a recipe for “growing young” (npg). Through trial, error, and food, Julia and Simac remind the adults of how to be young. They even create a book of recipes called Mastering the Art of Childhood, by Us (a further play on the Julia Child link and her famous cook book Mastering The Art of French Cooking).

These two story lines seem a bit disjointed from one another, which was not something I had before come across in Maclear’s writing. However, it is still a marvellous read that places the young Julia and Simac as being much wiser than the busy adults surrounding them (I always love when child characters have the upper hand). This is further emphasized in Worstad’s art, as adults are merely sketches, outlines with no color, while children are painted in beautiful pastel coloured clothing bursting with life. So despite the book feeling disjointed to me, it is beautiful and empowering.