Published by Tor Teen in 2012
Disclaimer: this novel involves sexual content, as well as drug use. Please consult with your parents before reading
I’ve been working on a project about the intertextuality of Jane Eyre in 21st Century children’s and YA lit, and yesterday I finally finished reading my primary sources (hurray). The last book I read for this project was Dark Companion by Marta Acosta. This YA book started as an online novel, and was so popular with readers that it was picked up by Tor Teen and published “officially” in print and ebook format. I spent yesterday reading all 350 pages, one because I had too, and two because it was a real page turner.
The Story: Jane was orphaned at eight, and has been hopping from foster home to foster home until finally landing in a group home run by the horrid Mrs. Prichard in the rough neighbourhood of Helmsdale (called Hellsdale by the residents). After working hard in school, Jane is accepted to the prestigious Birch Grove Academy on a full scholarship. Here Jane finds a new group of friends, enjoys her classes, loves her beautiful little cottage nestled in the woods, and even develops a serious crush on the headmistress’s son, Lucien. However, Birch Wood is too good to be true, and Jane begins to question the seemingly sinister activities taking place at the school: why did the school nurse, Mrs. Mason, kill herself? Why did the former scholarship student, whose place Jane has filled, abruptly leave? Why is Lucien so obsessed with Jane’s blood? As the back cover write-up states “As Jane begins to piece together the answers to the puzzle, she must find out why she was brought to Birch Grove—and what she would risk to stay there.”
What Wallace and I think: Since the promotional quote from the Kirkus Review on the front cover says that this book “gives vampires and their victims a long-overdue makeover” (really, is it long-overdue?! Has this reviewer been living under a rock?) I am not ruining the surprise by saying the book does deal with vampires. Because of this I immediately started making comparisons to Twilight, as I’m sure anyone reading a YA book about vampires would do. Because I feel this trend is overused, I wasn’t overtly hopeful. As well, though Twilight is somewhat of a guilty pleasure for me, and I can understand why it has been so popular, I find the abusive undertones and Bella’s passive acceptance of her treatment and utter devotion to both boys highly disturbing. There is nothing about Bella’s relationship with Edward or Jacob that young readers should wish for in their own romantic lives.
So though I was cautious when starting Dark Companion I was quickly won over, and was convinced by the end that THIS is the vampire book I could get behind.
- I found the “modern” update of vampires in Twilight very cheesy (ie. They sparkle…what?!). Acosta’s reimaging of the vampire myth I think does a better job of bringing the legend into the modern world. Acosta’s “vampires” are not the undead, they don’t have fangs, they don’t hunt people, and they are not immortal. Instead they are humans who have an enzyme deficiency caused by a recessive genetic disorder that causes a biological desire to replace their damage DNA by drinking blood. They drink animal blood, will eat red foods and drinks to trick the cravings, and will drink human blood when available.
- Jane is a strong and realistic flawed character who says no. She is often confused by her feelings for Lucien (of course she is, otherwise there wouldn’t be any drama), and it at times boarders into dangerous Bella and Edward like territory. But Jane ultimately is in control of her body and decides what she wants. Jane understands pain is not love, and says no. Jane saying no, and whoever she says no too stopping whatever they are doing when she says it, is important.
- I remember feeling uncomfortable and sad when watching the third Twilight The night before Bella’s wedding she is alone in her room, with only a quick goodnight from her dad, and Edward is out for a “stag” with his friends. It made me think back to my own “night-before-the-wedding” surrounded by my family and my best girlfriends. I felt supported and loved. My wedding day didn’t feel like just a celebration of mine and my husband’s love for one another, but of the love we shared with our whole community of family and friends. Bella didn’t have that because she isolated herself from her family and friends through her complete obsession with Edward. Jane connects with three girls in the novel, and grows close to them, leans on them, and is still standing with them at the end. Along with Jane’s saying no, Jane’s having true friends and not letting herself become completely sidetracked by a boy, I found refreshing.
- Acosta’s novel patriciates in Victorian gothic conventions, which I think she does well. I love that she opens each chapter with a quote from the very best gothic writers and works of the Victorian era like Oscar Wilde’s The Picture of Dorian Gray; Charles Dickens’ The Mystery of Edwin Drood; Bram Stokers’ Dracula (obviously); Mary Shelley’s Frankenstein; Edgar Allan Poe’s “Ligeia”; and John William Polidor “The Vampyre”. I appreciated this because it set the tone throughout the novel, and, as I always hope, could peak the interest of young readers to check out these texts for themselves. As well the novel is a reimagining of Jane Eyre in an imaginative and surprising way that I greatly enjoyed.
I give this novel a 4/5